User:Rdk21
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Professor Robin D. G. Kelley
Robin D. G. Kelley is Professor of American Studies and Ethnicity at the University of Southern California. From 2003 to 2006 he was the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. From 1994-2003, he was a professor of history and Africana Studies at New York University as well the chairman of NYU's history department from 2002-2003. Robin Kelley has also served as a Hess Scholar-in-Residence at Brooklyn College.
Kelley's biography of pianist/composer Thelonious Monk, titled Thelonious Monk: The Life and Times of an American Original, was released in fall of 2009 (Free Press). He is the author of the prize-winning books Hammer and Hoe: Alabama Communists During the Great Depression (University of North Carolina Press, 1990); Race Rebels: Culture Politics and the Black Working Class (The Free Press, 1994); Yo’ Mama’s DisFunktional!: Fighting the Culture Wars in Urban America (Beacon Press, 1997), which was selected one of the top ten books of 1998 by the Village Voice; Three Strikes: Miners, Musicians, Salesgirls, and the Fighting Spirit of Labor’s Last Century, written collaboratively with Dana Frank and Howard Zinn (Beacon 2001); and Freedom Dreams: The Black Radical Imagination (Beacon Press, 2002). He also edited (with Earl Lewis), To Make Our World Anew: A History of African Americans (Oxford University Press, 2000), a Choice Outstanding Academic Title and a History Book Club Selection. To Make Our World Anew was an outgrowth of an earlier collaboration with Lewis, the eleven volume Young Oxford History of African Americans (Oxford University Press, 1995-1998), of which he authored volume 10, titled Into the Fire: African Americans Since 1970 (1996). Kelley also co-edited (with Sidney J. Lemelle) Imagining Home: Class, Culture, and Nationalism in the African Diaspora (Verso, 1994). He is also completing Speaking in Tongues: Jazz and Modern Africa (Harvard University Press, forthcoming 2010), and a general survey of African American history co-authored with Tera Hunter and Earl Lewis to be published by Norton. Kelley’s essays have appeared in several anthologies and journals, including The Nation, Monthly Review, The Voice Literary Supplement, New York Times (Arts and Leisure), New York Times Magazine, Rolling Stone, Color Lines, Code Magazine, Utne Reader, Lenox Avenue, African Studies Review, Black Music Research Journal, Callaloo, New Politics, Black Renaissance/Renaissance Noir, One World, Social Text, Metropolis, American Visions, Boston Review, Fashion Theory, American Historical Review, Journal of American History, New Labor Forum, Souls, Metropolis, and frieze: contemporary art and culture, to name a few.